IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
Culture/People
Chitimacha
Artist/Maker
Ada V. Thomas, Chitimacha, 1924-1992
Previous owner
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-
IACB agent
Qualla Arts & Crafts Mutual (Qualla Arts & Crafts Cooperative/Qualla Arts & Crafts Coop/Qualla Crafts), 1946-
Purchased by Indian Arts and Crafts Board representatives from the artist through the Qualla Arts and Crafts Cooperative (Cherokee, North Carolina) in 1980; part of the IACB Headquarters collection (Department of the Interior, Washington, DC) until 2000 when it was transferred to NMAI.