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dataCG[1] = new data("images/collaboration/N001_l.jpg","<font><strong>Glory Tacheenie-Campoy</strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;October 1996<br><br>&quot;My name is Glory Tacheenie-Campoy. I was born and raised on the Diné (Navajo) reservation near Cedar Ridge, Arizona. I was raised by a network of extended family and clan relatives. I am Kiyaa'aanii (Towering House Clan), born for the Biih Bitoodnii (Deer Water Clan). At the age of 7, the U.S. Government took me away from my family to attend boarding school for Indian children. This was a traumatic experience.&quot;</font>")
dataCG[2] = new data("images/collaboration/N002_l.jpg","<font>&quot;Much of my artwork is influenced by the Diné language and culture, life experiences and formal art training.<br><br>I took painting classes at Russell Sage College in Troy, New York, and earned a B.S. from the University of Michigan with a minor in Fine Arts. At the University of Arizona I was awarded a Master of Arts in interdisciplinary studies in Fine Arts and American Indian Studies. I am now taking classes in printmaking.&quot;</font>")
dataCG[3] = new data("images/collaboration/N003_l.jpg","<font>&quot;(During my residency at NMAI) most of my time was spent researching and examining Diné Germantown textiles, along with the textiles of Latin America. I chose to research textiles because it was the first art form taught to me by my mother when I was a very young child. The colors and geometric shapes of textile art have always attracted me.<br><br>NMAI's Photo Archives, and Film and Video Department allowed me to view pictures of Diné people from the late 1800s. I also viewed documentaries dealing with the current social and political issues of indigenous communities. This information contributes to the creation of my work.<br><br>I'm very grateful to NMAI and ATLATL for this experience. It's directly contributed ot my community through my art and teaching. I've stayed in contact with these two organizations, and continue to be involved in community-based arts programming.&quot;</font>")
dataCG[4] = new data("images/collaboration/N004_l.jpg","<font>Is there a Prescription for Peace?<br>1996<br>8' x 12'<br>Found objects, (from reservation and Arizona), plastic, wires, metal, textile,acrylic on canvas, prisma color on paper, etc.<br><br>&quot;This installation was created in response to the Bennett Freeze or Navajo-Hopi land dispute, and other similar sacred land conflicts in other parts of the world.&quot;<br><br>photo: Marian Denipah-La Rance</font>")
dataCG[5] = new data("images/collaboration/N005_l.jpg","<font>Is there a Prescription for Peace?<br>detail<br>1996</font>")
dataCG[6] = new data("images/collaboration/N006_l.jpg","<font>Arizona Landscape<br>1998<br>51&quot; x 21&quot; x 7&quot;<br>assemblage: acrylic on wooden soda crates, found objects, and some objects that were used by my family, i.e., spam and sardine cans, car parts, eyelash curler, plastic<br><br>&quot;This piece exhibits material culture.&quot;<br><br>(collection: The University of Arizona, College of Law, Tuscon)<br>photo: Photographic Works, Tuscon, AZ</font>")
dataCG[7] = new data("images/collaboration/N007_l.jpg","<font>Arizona Landscape<br>1998<br>detail<br><br>&quot;As teenagers, my girlfriends and I would curl our eyelashes and spike them with mascara, perhaps to emulate the models in Seventeen magazine.<br>An example of the power of mainstream peer pressure to assimilate.&quot;<br><br>photo: Photographic Works, Tuscon, AZ</font>")
dataCG[8] = new data("images/collaboration/N008_l.jpg","<font>Arizona Landscape<r>detail<br>1998</font>")
dataCG[9] = new data("images/collaboration/N009_l.jpg","<font>Casino Series: Jackpot<br>1995<br>36&quot; x 40&quot;<br>acrylic on canvas, collage, lights<br><br>&quot;This is a slot machine with windows revealing possibilities, chances, choices, etc.&quot;<br><br>photo: Tony Celentano</font>")
dataCG[10] = new data("images/collaboration/N010_l.jpg","<font>Casino Series: Arizona Landscape: The Meek Shall Inherit the Earth<br>1995<br>30 1/2&quot; x 36 1/2&quot;<br>acrylic on canvas, collage, lights<br><br>&quot;Slot machine in Arizona with windows revealing possibilities in a free market economy.&quot;<br><br>photo: Tony Celentano</font>")
dataCG[11] = new data("images/collaboration/N011_l.jpg","<font>Pomegranate flowers<br>1994<br>36&quot; x 40&quot;<br>acrylic on canvas<br><br>&quot;When I was six years old, my mother let me help her collect plants and flowers for our use. She taught me the flowers' Diné names, their purpose, and to respect their beauty and power.&quot;<br>(collection: Barbara Atwood)<br>photo: Tony Celentano</font>")
dataCG[12] = new data("images/collaboration/N012_l.jpg","<font>Three flowers from Greer, Arizona<br>1994<br>each image is on 10 1/2' x 7 1/2&quot; paper<br><br>&quot;Sky Rocket, a gilia; Thistle and Ratibida Columnaris, all seen on a hike.&quot;<br>(collection: Karen Adam)<br>photo: Photographic Works, Tuscon, AZ</font>")

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